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Frank Sinatra and content development. I did it my way

29 Sep

APPROVEDI love Frank Sinatra. His phrasing was amazing (sorry about that one!)

One of my favourites is his rendition of ‘My Way.’ Originally a french song and re-written by legend Paul Anka, it’s a testament to uniqueness, bravery. resilience and self belief. Ol’ Blue Eyes put in all the blows, hits and lingering disappointments. This song is about living and by the soaring end, this listener is in no doubt that Frank lived a life.

I’m a my way kind of person. Strong minded and creative. I often run on instinct fuelled by experience > what’s going to work and what’s not.

But here’s the thing: when you’re planning websites; developing content (products, knowledgebases, social platforms etc.,) always communicate with your stakeholders (internal and external) regularly, get approval and formal sign off. 

This is not always easy. You have to pitch it right and differently depending on your audience. The cost/benefit analysis.

Many great ad campaigns have been ruined by ‘the client.’ They just want the logo bigger. They often don’t share your enthusiasm for standing out in a crowded marketplace. But they are the client nevertheless, nervous or not.

Set up a ‘milestone’ approval system so that everyone’s on the same page. I do love cliches.

And stay brave!!

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Leonardo da Vinci and content planning

24 Sep

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I have developed content for a number of businesses as well as creating and delivering training programs (aka Instructional Design.)

Content can be for non-static websites; marketing programs or social media.

One thing became clear to me in the process. That is the importance of planning.

Having a series of plans that start with the Big Picture (see above,) is a good way to not only focus on what you are building, but also becoming ready to create and stay on track with projects.

Creativity is pure. We know that. Artists are born that way or are they? Real art is intuitive, it’s just there in moments of genius or is it?

Leonardo da Vinci and Michelangelo (both successful businessmen) produced ‘rough’ studies before creating their masterpieces.

My friend, famed Australian artist Rodney Pople, executes a number of sketches and daubs before he knows he’s on the track.

Writers plan and signpost using a variety of methods. Chapter headings is one way to write a novel.

Having a ‘helicopter view’ of what you are trying to achieve and then implementing it is a good way to plan and build.

It can be visual or text based. I find that visual is better.

Just get it all down and make your map.

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I love it. Take it out! Part 2

22 Sep

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What was exciting about working in this environment was the chance to watch the words, art direction, talent and production all culminate in an ad campaign. I watched our agency put in a new government with a real US style campaign and I overheard the Chairman telling the future Prime Minister what he was doing wrong.

During this time I had the chance to pitch myself for a place in a highly thought of creative school. It was simply called The Copy School. I wrote a radio ad featuring myself as an ideas cowboy riding into town. I was good but I was green, ending with a Sam Elliott (Big Lebowski) narrator/Voice Over saying nice colour green. That got me over the edge and I was accepted with 10 others into this elite school. Each week we would attend an agency and be hands on trained by the top CD’s who would give us a practical assignment … an ad to write.

One of them, a man who went on to become a best selling author quoted Dr Samuel Johnson as saying ‘What doth please the mightly, do strike out.’ Dr Johnson or his biographer Boswell. I think he took some paraphrasing liberties there but I got the message.

What we love. What we think is sparkling copy. What we think is clever may not be right for the product or the audience. David Ogilvy was tight on the rules of writing.

It’s good to keep that in mind and not be married to our words.

It’s a lesson I never forgot.

Oscar Wilde famously quipped:

I worked very hard today. This morning I put in a comma and this afternoon I took it out.

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I love it. Take it out! Part 1

21 Sep

ImageI got my first job in advertising by showing up at an agency with a two page short story I had written about bikies. I still remember one memorable phrase I concocted. It went something like ‘their jeans were so dirty, they could only be removed with a blow torch.’

The amazing thing was not only did I get in and meet with the Creative Director, but he gave me a job on the very lowest branch of the agency tree: the despatch department, run by a fiery red-faced ex army guy they called Sarge. I wanted to write. To create. I was on cloud 9 or maybe even 10.

For the first few days, the CD would acknowledge me. Smile. Ask how I was doing. That stopped soon after. But it was a great place to work. Big clients, global agency. A bunch of creatives around, artists, writers, producers, editors, designers. I loved it.

Then they promoted me to media accounts. Yike! That wasn’t my bag, so they put me into media planning, under a benevolent media genius who will remain nameless, but let’s call him Daniel Boyce. One day he called me into his office and asked me ‘so how are you liking it here?’ I was momentarily blinded by his striped shirt and the harbour view behind him, and blurted out without thinking ‘I don’t like it.’ Daniel fixed me with a steely glare, just as the phone rang. ‘Daniel Boyce.’ He said into the mouthpiece in a cultured accent, glancing at me with what I perceived as contempt. “I’m going to get fired.’ I thought, but no. Daniel put down the phone and asked me why I wasn’t happy in media planning. I told him that I wanted to write. To be a copywriter. To be a creative. The phone rang again. Same rigmarole. Then, ‘Thanks for being honest. Everybody lies to me around here.’

The next day I was relocated to the TV/Broadcast unit where ads were recorded and edited, pilots were made and new business pitches run.

We had two theatres and a big meeting room. I was able to watch actors, writers, engineers create, edit and senior executives pitch for new business. Something different everyday.

It may have been airlines and soft drinks but it was wondrous to me …

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Newsletters that tell stories

3 Sep

310112 AAS A4 NL (Page 1)

Newsletters like this one from advanced anaesthesia specialists are a great way to differentiate, take ‘thought’ leadership within a category, build your brand, promote your business and sell, which after all, is the ultimate goal for any business … to make a profit!

Here’s the thing … newsletters must have some news not just a bunch of products. Newsletters tell stories.

Great … let’s do it.

Here’s the other thing … who cares?

Question: Do you understand who your customers are? Do you know what they think, hope for and need?

The rise of Social Media illustrates the fact that everyone wants to be loved, admired, supported and recognised.

Effective business communications 1st take customers seriously. They add content that tells stories customers want to read and that’s not always about product x or service y.

Newsletters like all marketing communications must have been through the so what test. Try some in house research. Involve your team. Ask your customers!

Create newsletters that hit the spot!

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Staring at a blank page

2 Sep

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I found this piece of paper in a file and it got me wondering. Writers sometimes get writer’s block. They can’t get started. And often the harder they try the more blank they become.

In George Plimpton’s fascinating Paris Review series, a number of famous writers were interviewed about their techniques. This was about how do you write everyday with the kids screaming, your wife leaving, a revolucion going on, a 1st book best seller to better.

Amazingly enough some writers copy out tracts of the bible to get started, some sharpen pencils, others still drink a lot and smoke endless cigarettes (a different era I suppose.) The issue is how do you get started?

It can be a problem for people in business to get fresh ideas or even an accurate idea of what their business actually does for their customers. It’s also difficult to get noticed in the crowded cyber world where attention spans are short and customers can shop around and read reviews online.

It takes a fresh pair of eyes to do that. Daily regeneration and a childlike curiosity of life which when you think about it is quite amazing.

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Bill

31 Jul

My first blog post is dedicated to my father, Bill Rodie – a feature writer and all round Sydney newspaperman, later to become one of the city’s 1st PR consultants. Originally from New Zealand, Bill worked for a number of newspapers including Smith’s Weekly, and was great friends with poet Kenneth Slessor.

To quote George Blaikies’ book, Remember Smith’s Weekly, “Rodie, before coming to Smith’s, had been a romantic adventurer from New Zealand, who had wandered the South Seas with Errol Flynn, pursuing a try anything once policy. Four white dots under his right eye showed where the prongs of a fork had hit bone when the wielder had intended to drive them through his eye. In the depths of the depression he took a job as a footman in Government House, Sydney, and on leaving, wrote a cheerful series of  articles about hard times in the palace.”

At a time when culinary advice came from the Country Women’s Association and a roast leg of lamb was about the best you could expect in many households (still is really…) Bill was a gourmet who loved to cook and a wine connoisseur before it was fashionable.

Ted Moloney’s “Oh For a French Wife” cookbook came out in the late 1950’s – long before our own blockbuster reality cooking shows. My mother and father spent their honeymoon with Maurice OShea, creator and founder of McWilliam’s Mount Pleasant, Lovedale.

I didn’t meet Bill. Well I did but I was a baby. Wish i had. I think we may have been alike in some ways. This blog is dedicated to you dad! And to my son Max, my other role model.

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